Year: 2020
As a cute child, I kissed girls. My father didn't like it. He treated me harshly in public, and as a cute child, I did not comprehend it; it caused me profound distress. I was left alone in my room; none gave me love or support. It rooted my social anxiety toward humans, especially women, both when with them and when I saw them, which made me quiet and reticent. My father was unloving; this was his desire. The artwork is a testament to my frustrations with this inappropriate treatment by such an idiotic human who strangely disliked me and did not want me well or on this earth. They are power-hungry fools. I must be like them and live like them no matter what. They want me to abide by their laws and rules. They want me to work harder. If I do not do as they say, they become evil, and something unpleasant will happen. Therefore, I must avoid such humans to prevent further trauma. It is appropriate for me, as a cute man, to associate with cute individuals who demonstrate love so that I will feel happy. With these humans, I am free to be myself and to experience intimacy with women, which brings me happiness. Frustration, lack of love, and the demand for perfection are the keywords. Therefore, by remaining unseen, a tribal visage emerges behind. I perceive humans as evil. Tribal patterns and flying birds in front symbolize a life of freedom, simplicity, and calmness for me. Hearts and cute fish symbols suggest that the path to happiness lies in being with cute humans who are loving. The reason for the crosses is that I could just as well be dead without being intimate with women. The painting stands against evil but for what is loving—to be free and with women, which I have wanted since childhood, to be fulfilled.
Width: 61 mm
Height: 74 cm
This artwork is currently in Denmark
It will be shipped by the artist
Year: 2020
As a cute child, I kissed girls. My father didn't like it. He treated me harshly in public, and as a cute child, I did not comprehend it; it caused me profound distress. I was left alone in my room; none gave me love or support. It rooted my social anxiety toward humans, especially women, both when with them and when I saw them, which made me quiet and reticent. My father was unloving; this was his desire. The artwork is a testament to my frustrations with this inappropriate treatment by such an idiotic human who strangely disliked me and did not want me well or on this earth. They are power-hungry fools. I must be like them and live like them no matter what. They want me to abide by their laws and rules. They want me to work harder. If I do not do as they say, they become evil, and something unpleasant will happen. Therefore, I must avoid such humans to prevent further trauma. It is appropriate for me, as a cute man, to associate with cute individuals who demonstrate love so that I will feel happy. With these humans, I am free to be myself and to experience intimacy with women, which brings me happiness. Frustration, lack of love, and the demand for perfection are the keywords. Therefore, by remaining unseen, a tribal visage emerges behind. I perceive humans as evil. Tribal patterns and flying birds in front symbolize a life of freedom, simplicity, and calmness for me. Hearts and cute fish symbols suggest that the path to happiness lies in being with cute humans who are loving. The reason for the crosses is that I could just as well be dead without being intimate with women. The painting stands against evil but for what is loving—to be free and with women, which I have wanted since childhood, to be fulfilled.
Width: 61 mm
Height: 74 cm
This artwork is currently in Denmark
It will be shipped by the artist