Year: 2025
Medium & Technique:
“Schlossing” – Water painting without water, created on a recycled laminated building sheet, strengthened and waterproofed for permanence.
This technique involves pouring, finger-painting, and using gravity to guide thick liquid poster paints. Layers are sun-baked for texture and contrast, then sealed with multiple coats of automotive clear acrylic lacquer to ensure longevity. The process results in a multi-layered vision — in this case, ten separate paintings transcending into one final expression.
“MON ÉTNA BRÛLANT” (My Burning Etna) captures the dramatic beauty and tension of a late winter, pre-summer photoshoot set against the backdrop of Mount Etna in eruption. Rivers of melting snow cascade down the rugged volcanic slopes, flowing into the vineyards below, where nature itself seems to tremble under the heat of molten lava.
In the foreground, a graceful swimsuit model poses with elegance and poise — her long, sculpted legs balanced on high stilettos, a glass of hot Glühwein in hand. Around her, the photographers relax with mellow red wine, their gaze fixed on both beauty and destruction unfolding in the same scene.
The air shimmers with heat and tension — toxic sulphur dioxide gases drift across the countryside in bright yellow plumes, while soldiers rush to evacuate nearby villagers from the encroaching danger. Even the grapes in the vineyards seem to boil within their skins, a striking symbol of nature’s fragile balance between creation and chaos.
This painting unites passion, power, and peril — a sensual and volatile dance between humanity and the primal force of the earth itself.
“Schlossing” – Water painting without water, created on a recycled laminated building sheet, strengthened and waterproofed for permanence. This technique involves pouring, finger-painting, and using gravity to guide thick liquid poster paints. Layers are sun-baked for texture and contrast, then sealed with multiple coats of automotive clear acrylic lacquer to ensure longevity. The process results in a multi-layered vision — in this case, ten separate paintings transcending into one final expression.
Width: 45 cm
Height: 60 cm
This artwork is currently in Australia
It will be shipped by the artist
Year: 2025
Medium & Technique:
“Schlossing” – Water painting without water, created on a recycled laminated building sheet, strengthened and waterproofed for permanence.
This technique involves pouring, finger-painting, and using gravity to guide thick liquid poster paints. Layers are sun-baked for texture and contrast, then sealed with multiple coats of automotive clear acrylic lacquer to ensure longevity. The process results in a multi-layered vision — in this case, ten separate paintings transcending into one final expression.
“MON ÉTNA BRÛLANT” (My Burning Etna) captures the dramatic beauty and tension of a late winter, pre-summer photoshoot set against the backdrop of Mount Etna in eruption. Rivers of melting snow cascade down the rugged volcanic slopes, flowing into the vineyards below, where nature itself seems to tremble under the heat of molten lava.
In the foreground, a graceful swimsuit model poses with elegance and poise — her long, sculpted legs balanced on high stilettos, a glass of hot Glühwein in hand. Around her, the photographers relax with mellow red wine, their gaze fixed on both beauty and destruction unfolding in the same scene.
The air shimmers with heat and tension — toxic sulphur dioxide gases drift across the countryside in bright yellow plumes, while soldiers rush to evacuate nearby villagers from the encroaching danger. Even the grapes in the vineyards seem to boil within their skins, a striking symbol of nature’s fragile balance between creation and chaos.
This painting unites passion, power, and peril — a sensual and volatile dance between humanity and the primal force of the earth itself.
“Schlossing” – Water painting without water, created on a recycled laminated building sheet, strengthened and waterproofed for permanence. This technique involves pouring, finger-painting, and using gravity to guide thick liquid poster paints. Layers are sun-baked for texture and contrast, then sealed with multiple coats of automotive clear acrylic lacquer to ensure longevity. The process results in a multi-layered vision — in this case, ten separate paintings transcending into one final expression.
Width: 45 cm
Height: 60 cm
This artwork is currently in Australia
It will be shipped by the artist