Blending the analytical eye of a scientist with the emotional sensitivity of an artist, Barbara D’Angelo Månsson stands as a distinctive figure in contemporary abstract art. Much like Antonello Ferrara transforms photography into poetry, Barbara’s canvases tell stories through layers of color, texture, and emotion. In this exclusive interview with Pice Magazine, we dive into her journey, artistic philosophy, and the driving force behind her evocative work.

Can you tell us about your journey as an artist? What inspired you to pursue art, and how has your style evolved over the years?

Barbara:
My journey as an artist began in Italy, where I developed a deep appreciation for beauty. There, I started exploring various mediums—from charcoal, ink, and chalk drawings to photography. Relocating to Sweden marked a pivotal moment, as I was captivated by the Nordic art scene, which led me to shift towards painting abstract subjects.

My time in the United States further enriched my artistic vocabulary. I was inspired by the American art scene, particularly the movements of Abstract Expressionism and Pop Art. The revolutionary painting techniques of Jackson Pollock and the monochrome subjects of Mark Rothko deeply influenced me, instilling a strong appreciation for the power of abstract expression.

I have adapted the impasto technique, incorporating organic materials like sand, wool, and metal. This has allowed me to infuse my paintings with a palpable sense of texture and depth, further enriching my exploration of form and color. What’s unique is that I am also educated as a molecular biologist, and my art reflects this analytic mindset mixed with a more open, creative approach.

What themes or messages do you aim to convey through your artwork, and how do you go about expressing them visually?

Barbara:
I engage with contemporary issues by reflecting on the human condition in relation to the world around us. I explore themes of love, loss, joy, sorrow, socialism, and politics. I seek to bridge the intimate emotions of the human experience with the external world, encouraging reflection on our interactions with our environment and communities.

I’m deeply affected by social issues and the beauty and fragility of nature, so these concerns inevitably find their way onto my canvases.

Can you walk us through your creative process? How do you start a new piece, and what techniques or materials do you prefer to use?

Barbara:
My artistic process is very experimental and can be defined as a continuous exploration of new combinations of forms and colors. As I proceed, I adapt my process and evolve the work.

My creative process usually starts with a color or texture that grabs my attention. From there, I intuitively layer materials, letting the canvas guide me. I rarely begin with a sketch—and if I do—the final piece rarely resembles it.

I prefer acrylics because they are easy to mix with other materials, and their fast drying time enables me to create complex layering. The use of mixed materials reflects my art journey; for example, I still use charcoal in my acrylic paint as a reflection of my early drawings. I experiment with different mediums and techniques until I achieve the desired depth and emotion.

What challenges have you faced in your artistic career, and how have you overcome them? Do you have any advice for aspiring artists?

Barbara:
As a self-taught artist, one of the challenges I've faced is navigating a world that sometimes values formal art education above all else. I often felt ignored because I didn't have the "proper" credentials, but I studied on my own and developed my style and voice. I wanted to demonstrate my capabilities.

My uniqueness has been recognized by many art collectors, and this has been incredibly validating. My advice to aspiring artists is to keep believing in themselves, to be independent, curious, and pursue their path regardless of all obstacles. Don’t let a lack of formal training define you—let your work speak for itself.

How do you see the role of art in society, and what impact do you hope your work has on your audience? Are there any particular responses or interactions with viewers that stand out to you?

Barbara:
I believe art serves as a mirror to the human experience, inviting audiences to engage and reflect on their own journeys. Art, in general, should be a tool to spark conversations, enable an open mind on social and political issues, and allow a view from another perspective of the mass belief.

My goal is to create work that resonates with emotional depth, encouraging contemplation and introspection. I hope my art can spark a conversation, evoke a memory, or simply offer a moment of solace. Ultimately, I want viewers to experience a connection to their own humanity and to the world around them.

Final Thoughts

Barbara D’Angelo Månsson’s art transcends boundaries—not just of form, but of intellect and emotion. Rooted in science yet blooming with abstract passion, her work invites us to look deeper, feel more, and reconnect with the world around us. She stands as proof that true artistry isn’t taught—it’s lived.